Supernatural - New Season 5 Sneak Peek
Supernatural - New Season 5 Sneak Peek
Thanks to Shi for the video.
Thanks to Shi for the video.
Dollhouse - New HQ Promo Pic Featuring Echo
Dollhouse - New HQ Promo Pic Featuring Echo
(Click to Enlarge)
(Click to Enlarge)
Dollhouse - Latest Details on Echo's Wedding
When Dollhouse’s second season begins September 25, bells will ring as Battlestar Galactica’s Jamie Bamber guest stars as a wealthy businessman who marries Echo (Eliza Dushku) while she’s on assignment.“I was really impressed with Jamie,” Dushku tells TV Guide Magazine. “He’s a gorgeous husband with [whom I got] great wedding pictures for my first time down the aisle.”
Despite an intense on-screen fight—“I found myself literally sobbing real tears,” Dushku says—the faux wedding day was not without some lighter moments.
“I took a picture and sent it back to my mom, and she called me, a bit flustered,” Dushku says. “In the past couple years, I’ve been getting the [marriage] question from her more than ever, so it’s nice that I could send her some pictures to tide her over.”
Source: TV Guide Magazine
Flash Forward - Next 'Lost'? 'FlashForward' series tests the unknown
BURBANK, Calif. — The FBI agent and his wife's apparent future lover just miss crossing paths in the hospital hallway. They don't meet, but what if they had?
Would it block his wife's path to infidelity? Or would it guarantee it?
The underlying question — can you change your future? — is at the heart of ABC's FlashForward (Sept. 24, 8 ET/PT), among the most-awaited new fall TV series, and one that some are calling the next Lost.
The premise centers on a two-minute, 17-second blackout that strikes the world's population, followed by crashes, deaths and other disasters that result from the global unconsciousness. During the blackout, almost everyone has a vision — a flash-forward — six months ahead, to April 29, 2010. 10 p.m. PT, to be exact. Some are welcome, and some, including the wife's vision of the lover, are not.
The task is to find out what happened and if the flash-forward prophecies will, or must, come to pass.
"We are the only species that thinks about the future," says executive producer David Goyer, whose writing credits include Batman Begins and The Dark Knight. "It's the blessing and curse of being human."
Joseph Fiennes, who plays FBI agent Mark Benford, centers a team assigned to solve the blackout that includes partner Demetri Noh (John Cho); colleague Janis Hawk (Christine Woods); and their boss, Stanford Wedeck (Courtney B. Vance). They and the other characters, including Benford's surgeon wife, Olivia (Sonya Walger), share their visions, but viewers see only bits and pieces at first, leaving twists and turns to be explored.
And "some people lie about their flash-forwards, so it's a little misdirection happening," Vance says. "It leaves the writers enormous latitude to tell stories."
Of fall's new shows, FlashForward most closely fits the definition of the serialized epic, a sweeping tale mixing action, suspense, mystery, romance and melodrama. "It's a buffet," executive producer Marc Guggenheim (Eli Stone) says. "To reach the widest audience possible, you need to have that spice. You have to have that wide variety."
The best current example of the big, bold serialized mystery: ABC hit Lost. Fox's 24 incorporates many of those elements, though each season is self-contained. Fox's paranormal Fringe tries to temper its serialized elements, mixing long-term story with shorter, weekly ones. And ABC launches a remake of alien-invasion serial V in November.
The challenging format tends to demand more dedication from viewers, who may not want to make the time commitment, especially when there is no guarantee a show will reach its conclusion. It includes many recent failures, some of them noble, such as The Nine and Jericho, and even critically acclaimed successes Lost and 24 have hit bumps. NBC's Heroes, which tries to balance serialization with stand-alone volumes, was a big early hit but has since slumped.
Quick answers to questions
Goyer and Guggenheim say they are making the show as they want to, but their customized format — many character stories that wrap up in one episode, quick answers to major questions and a simplified but not dumbed-down mythology — also may make it appeal to a broader audience and casual viewers. "It's not that kind of show where if you don't catch it at the beginning you'll be lost," Vance says.
At the same time, more devoted fans will be rewarded with numerous little clues and hidden references. "You'll come across the true genius that is David Goyer, which is these Easter eggs," Fiennes says. "There's so much information that you could certainly go crazy trying to work it all out."
As another viewing incentive, Goyer promises to resolve virtually all questions raised in the pilot by this season's end. "We made the commitment very early on to answer some big questions and have some reveals very early. The audience will be surprised at some of the cards we turn over that early."
ABC has an interest in series that are "something epic in scope but also really emotional," network executive vice president Suzanne Patmore-Gibbs says. Characters must be at the core, she says, whether the serialized program is Lost,Grey's Anatomyor FlashForward.
Goyer likes mixing large and small. "One of the things I like to do is take a big, broad subject matter and see if you can work it through this intimate prism with characters who humanize what would normally be what some would call an E-ticket ride. I think we were able to do that with the Batman movies, and I feel that's what we're doing here."
He and Guggenheim are Lost fans, citing the Emmy-winning hit's groundbreaking nature as one reason they thought ABC would be a good place for their series. ABC hopes Lost fans connect with FlashForward.
"Lost is ending this year and hopefully going out with a bang. There's an audience base that's going to be craving another nuanced experience, and it would be nice to win some of those audience members," Patmore-Gibbs says. But she and others point out large differences between Lost and FlashForward, which was inspired by Robert Sawyer's novel of the same name and in planning before Lost was created. (The TV series veers far from the book, producers say.)
"It's not like we're going to unearth layers and layers that are more sci-fi or layers and layers of mythology. So I think it's easier to access in some ways," Patmore-Gibbs says.
Walger, who has had a recurring role on Lost, considers it "a huge compliment being (mentioned) in the same breath as Lost. (But) I think the similarity begins and ends with big ensemble casts."
FlashForward has a large, diverse ensemble — 11 series regulars, including Lost's Dominic Monaghan, and guest stars from around the world — that opens the door to many individual stories, both professional and personal. To be a TV series rather than a movie, FlashForward had to be about more than blackouts and flash-forwards, says Cho, who also visited the future in this year's Star Trek film.
"We couldn't hang our hats on that big concept. It had to be about relationships and how it affected everyone's lives. That, to me, was the hook," he says.
On the largest soundstage on the Disney studios lot, one usually reserved for feature films, some character stories — and bits of police and medical drama — are intersecting at Olivia's hospital when Mark and his FBI colleagues arrive. She has just saved a series regular who was injured in an attack resulting from their investigation.
"Mark has this guilt, but at the same time he feels vindicated that the clues are paying off," Fiennes says.
The 'what-if?' element
Of FlashForward's many elements, those involved with the series say science fiction may be the least. It also happens to be a genre label that turns off some viewers who might otherwise give a series or movie a try.
The show's science-fiction component is limited to the blackout and flash-forwards, if that, the producers say, with Goyer suggesting the ultimate cause may not even be in the realm of that genre. He describes the look forward as a "what if?" rather than science fiction, akin to Scrooge's glimpse of the future in A Christmas Carol.
While FlashForward's characters see bits of the future, Goyer and Guggenheim know it all, as in how the series ends.
"In a post-Lost world, when you take a pilot to the networks, they ask, 'Do you have any idea where it goes?' " Goyer says. "As a viewer, I would feel frustrated if the show creators don't know where they're going."
They have plotted the series out, a difficult task when it isn't known how long it will run. Goyer says they have loosely planned it for five seasons, could tell it in three, if necessary, or could "accordion it out" to run longer than five. Besides the ending, they say they know how the penultimate season concludes.
"They have had a destination in mind the whole time, knowing how hard it is when you don't," Patmore-Gibbs says. She notes Lost has benefited from having a fixed ending point, though no one suggested FlashForward might follow a similar plan.
The series can expand on a character or story if it breaks out in a big way. In the pilot, Benford encounters a kangaroo on a downtown L.A. street after the blackout. "It was something intended as a grace note. I didn't expect it to get quite the response it has," Goyer says. He and Guggenheim have made sure the Australian interloper will return.
"We've altered stuff along the way, as we've refined and gotten a better handle on things," Guggenheim says. "Something happens in the 11th episode of the show that had been planned for Episode 18, or even later."
But what happens after Season 1's last episode? If FlashForward answers nearly all the questions in the pilot by the season's end, what will be left for next year?
"I hope people ask that," Goyer says. "In some ways, I can't wait to get there. It's going to be more exciting than Season 1."
Source: USA Today
Would it block his wife's path to infidelity? Or would it guarantee it?
The underlying question — can you change your future? — is at the heart of ABC's FlashForward (Sept. 24, 8 ET/PT), among the most-awaited new fall TV series, and one that some are calling the next Lost.
The premise centers on a two-minute, 17-second blackout that strikes the world's population, followed by crashes, deaths and other disasters that result from the global unconsciousness. During the blackout, almost everyone has a vision — a flash-forward — six months ahead, to April 29, 2010. 10 p.m. PT, to be exact. Some are welcome, and some, including the wife's vision of the lover, are not.
The task is to find out what happened and if the flash-forward prophecies will, or must, come to pass.
"We are the only species that thinks about the future," says executive producer David Goyer, whose writing credits include Batman Begins and The Dark Knight. "It's the blessing and curse of being human."
Joseph Fiennes, who plays FBI agent Mark Benford, centers a team assigned to solve the blackout that includes partner Demetri Noh (John Cho); colleague Janis Hawk (Christine Woods); and their boss, Stanford Wedeck (Courtney B. Vance). They and the other characters, including Benford's surgeon wife, Olivia (Sonya Walger), share their visions, but viewers see only bits and pieces at first, leaving twists and turns to be explored.
And "some people lie about their flash-forwards, so it's a little misdirection happening," Vance says. "It leaves the writers enormous latitude to tell stories."
Of fall's new shows, FlashForward most closely fits the definition of the serialized epic, a sweeping tale mixing action, suspense, mystery, romance and melodrama. "It's a buffet," executive producer Marc Guggenheim (Eli Stone) says. "To reach the widest audience possible, you need to have that spice. You have to have that wide variety."
The best current example of the big, bold serialized mystery: ABC hit Lost. Fox's 24 incorporates many of those elements, though each season is self-contained. Fox's paranormal Fringe tries to temper its serialized elements, mixing long-term story with shorter, weekly ones. And ABC launches a remake of alien-invasion serial V in November.
The challenging format tends to demand more dedication from viewers, who may not want to make the time commitment, especially when there is no guarantee a show will reach its conclusion. It includes many recent failures, some of them noble, such as The Nine and Jericho, and even critically acclaimed successes Lost and 24 have hit bumps. NBC's Heroes, which tries to balance serialization with stand-alone volumes, was a big early hit but has since slumped.
Quick answers to questions
Goyer and Guggenheim say they are making the show as they want to, but their customized format — many character stories that wrap up in one episode, quick answers to major questions and a simplified but not dumbed-down mythology — also may make it appeal to a broader audience and casual viewers. "It's not that kind of show where if you don't catch it at the beginning you'll be lost," Vance says.
At the same time, more devoted fans will be rewarded with numerous little clues and hidden references. "You'll come across the true genius that is David Goyer, which is these Easter eggs," Fiennes says. "There's so much information that you could certainly go crazy trying to work it all out."
As another viewing incentive, Goyer promises to resolve virtually all questions raised in the pilot by this season's end. "We made the commitment very early on to answer some big questions and have some reveals very early. The audience will be surprised at some of the cards we turn over that early."
ABC has an interest in series that are "something epic in scope but also really emotional," network executive vice president Suzanne Patmore-Gibbs says. Characters must be at the core, she says, whether the serialized program is Lost,Grey's Anatomyor FlashForward.
Goyer likes mixing large and small. "One of the things I like to do is take a big, broad subject matter and see if you can work it through this intimate prism with characters who humanize what would normally be what some would call an E-ticket ride. I think we were able to do that with the Batman movies, and I feel that's what we're doing here."
He and Guggenheim are Lost fans, citing the Emmy-winning hit's groundbreaking nature as one reason they thought ABC would be a good place for their series. ABC hopes Lost fans connect with FlashForward.
"Lost is ending this year and hopefully going out with a bang. There's an audience base that's going to be craving another nuanced experience, and it would be nice to win some of those audience members," Patmore-Gibbs says. But she and others point out large differences between Lost and FlashForward, which was inspired by Robert Sawyer's novel of the same name and in planning before Lost was created. (The TV series veers far from the book, producers say.)
"It's not like we're going to unearth layers and layers that are more sci-fi or layers and layers of mythology. So I think it's easier to access in some ways," Patmore-Gibbs says.
Walger, who has had a recurring role on Lost, considers it "a huge compliment being (mentioned) in the same breath as Lost. (But) I think the similarity begins and ends with big ensemble casts."
FlashForward has a large, diverse ensemble — 11 series regulars, including Lost's Dominic Monaghan, and guest stars from around the world — that opens the door to many individual stories, both professional and personal. To be a TV series rather than a movie, FlashForward had to be about more than blackouts and flash-forwards, says Cho, who also visited the future in this year's Star Trek film.
"We couldn't hang our hats on that big concept. It had to be about relationships and how it affected everyone's lives. That, to me, was the hook," he says.
On the largest soundstage on the Disney studios lot, one usually reserved for feature films, some character stories — and bits of police and medical drama — are intersecting at Olivia's hospital when Mark and his FBI colleagues arrive. She has just saved a series regular who was injured in an attack resulting from their investigation.
"Mark has this guilt, but at the same time he feels vindicated that the clues are paying off," Fiennes says.
The 'what-if?' element
Of FlashForward's many elements, those involved with the series say science fiction may be the least. It also happens to be a genre label that turns off some viewers who might otherwise give a series or movie a try.
The show's science-fiction component is limited to the blackout and flash-forwards, if that, the producers say, with Goyer suggesting the ultimate cause may not even be in the realm of that genre. He describes the look forward as a "what if?" rather than science fiction, akin to Scrooge's glimpse of the future in A Christmas Carol.
While FlashForward's characters see bits of the future, Goyer and Guggenheim know it all, as in how the series ends.
"In a post-Lost world, when you take a pilot to the networks, they ask, 'Do you have any idea where it goes?' " Goyer says. "As a viewer, I would feel frustrated if the show creators don't know where they're going."
They have plotted the series out, a difficult task when it isn't known how long it will run. Goyer says they have loosely planned it for five seasons, could tell it in three, if necessary, or could "accordion it out" to run longer than five. Besides the ending, they say they know how the penultimate season concludes.
"They have had a destination in mind the whole time, knowing how hard it is when you don't," Patmore-Gibbs says. She notes Lost has benefited from having a fixed ending point, though no one suggested FlashForward might follow a similar plan.
The series can expand on a character or story if it breaks out in a big way. In the pilot, Benford encounters a kangaroo on a downtown L.A. street after the blackout. "It was something intended as a grace note. I didn't expect it to get quite the response it has," Goyer says. He and Guggenheim have made sure the Australian interloper will return.
"We've altered stuff along the way, as we've refined and gotten a better handle on things," Guggenheim says. "Something happens in the 11th episode of the show that had been planned for Episode 18, or even later."
But what happens after Season 1's last episode? If FlashForward answers nearly all the questions in the pilot by the season's end, what will be left for next year?
"I hope people ask that," Goyer says. "In some ways, I can't wait to get there. It's going to be more exciting than Season 1."
Source: USA Today
Dexter - Episode 4.01 - Living the Dream - Synopsis
Dexter - Episode 4.01 - Living the Dream - Synopsis
CLICK HERE TO VIEW EPISODE SUMMARY
Dexter has always managed to get himself out of tough situations. But he suddenly finds himself in unfamiliar territory - life in suburbia. Now a husband and father of three, Dexter struggles to balance his family's needs with his ongoing duties as a blood spatter analyst for Miami Metro Homicide. The exhaustion is taking its toll, and as sleepless nights start to threaten his job performance, Dexter wonders if maybe he's taken on more than he can handle. And he'll need to stay sharp - the department is busier than ever, with two new murders on their hands. The detectives, Debra included, are surprised when Special Agent Frank Lundy returns to share his theories on the case. Lundy believes they're dealing with a serial killer he's been chasing for years, whom he's dubbed "the Trinity Killer". Meanwhile, Dexter's Dark Passenger drives him to seek out a fresh victim. But with so much already on his plate, is Dexter up to the task?
Source: Showtime
CLICK HERE TO VIEW EPISODE SUMMARY
Dexter has always managed to get himself out of tough situations. But he suddenly finds himself in unfamiliar territory - life in suburbia. Now a husband and father of three, Dexter struggles to balance his family's needs with his ongoing duties as a blood spatter analyst for Miami Metro Homicide. The exhaustion is taking its toll, and as sleepless nights start to threaten his job performance, Dexter wonders if maybe he's taken on more than he can handle. And he'll need to stay sharp - the department is busier than ever, with two new murders on their hands. The detectives, Debra included, are surprised when Special Agent Frank Lundy returns to share his theories on the case. Lundy believes they're dealing with a serial killer he's been chasing for years, whom he's dubbed "the Trinity Killer". Meanwhile, Dexter's Dark Passenger drives him to seek out a fresh victim. But with so much already on his plate, is Dexter up to the task?
Source: Showtime
FlashForward - Series Premiere Promo Pics
Flash Forward - Episode 1.01 - No More Good Days - Series Premiere Promo Pics
Source: TV Spoilers Center
Source: TV Spoilers Center
True Blood - Season Finale Episode Description
HBO just released a very spoilery detailed description of True Blood’s Sept. 13 season finale. Here it is in its entirety…
“Beyond Here Lies Nothin”
In the season two finale, the mayhem in Bon Temps reaches a fever pitch as Maryann prepares for her ultimate bestial sacrifice, conscripting Sookie to be Maid of Honor at the bloody nuptials. Meanwhile, Sophie-Anne warns Eric to keep the lid on Bill’s inquisitiveness; Jason leads Andy into the heroic abyss; and Hoyt has a hard time swallowing Maxine’s endless stream of insults. Deliberating on what may be his final move to save Sookie and the town, Sam is forced to put his trust, and his life, in a most unlikely ally.
Just 17 days and counting!
Source: EW
-- Post From My iPhone
“Beyond Here Lies Nothin”
In the season two finale, the mayhem in Bon Temps reaches a fever pitch as Maryann prepares for her ultimate bestial sacrifice, conscripting Sookie to be Maid of Honor at the bloody nuptials. Meanwhile, Sophie-Anne warns Eric to keep the lid on Bill’s inquisitiveness; Jason leads Andy into the heroic abyss; and Hoyt has a hard time swallowing Maxine’s endless stream of insults. Deliberating on what may be his final move to save Sookie and the town, Sam is forced to put his trust, and his life, in a most unlikely ally.
Just 17 days and counting!
Source: EW
-- Post From My iPhone
V - Elizabeth Mitchell Interview
Thanks to Claudio for the heads up.
Elizabeth Mitchell didn’t expect to fall in love again. At least not so soon.
Last spring, “Lost” executive producers Damon Lindelof and Carlton Cuse told Mitchell that her character, Juliet, would not be a part of the final season of ABC’s Emmy-winning series.
“I was really sad because I really like everyone so much and I love my role,” Mitchell said in an interview earlier this month at the Langham Hotel in Pasadena, Calif. “I spent three years working very hard to create exactly what I wanted.”
But the Dallas native described herself as “fairly pragmatic.” She thanked Lindelof and Cuse for her time on the series, packed up her house in Hawaii, found a preschool for her son in Los Angeles and began reading scripts.
“I didn’t expect to like anything,” she said. “I was just reading things because people sent them to me and it’s rude not to read them.”
Then she read the script for “V,” a remake of the 1983 sci-fi miniseries about an alien invasion. The series premieres on ABC in November.
“ ‘V’ is kind of a gift,” the 39-year-old said. “It was a surprise to me to fall in love with another character. I read it and it captivated me. And more importantly, I thought it was an excellent jumping-off place and something I had never done before - playing a straightforward hero.”
Mitchell plays FBI counterterrorist agent Erica Evans, a mother of a teenage son. In the pilot, she discovers that the alien visitors might not be as benevolent as they seem.
“What I’m enjoying about Erica, which is one of the same things I love about Juliet, is that she, every day of her life, believes if she is not fully on, not fully functioning, she is going to let people down and the world will come to an end. She actively puts herself in the line of fire. I think it takes a special kind of person to do that, and that, combined with Erica being a mother, is very interesting to me.”
Source: Boston Herald
Posted by DarkUFO
Elizabeth Mitchell didn’t expect to fall in love again. At least not so soon.
Last spring, “Lost” executive producers Damon Lindelof and Carlton Cuse told Mitchell that her character, Juliet, would not be a part of the final season of ABC’s Emmy-winning series.
“I was really sad because I really like everyone so much and I love my role,” Mitchell said in an interview earlier this month at the Langham Hotel in Pasadena, Calif. “I spent three years working very hard to create exactly what I wanted.”
But the Dallas native described herself as “fairly pragmatic.” She thanked Lindelof and Cuse for her time on the series, packed up her house in Hawaii, found a preschool for her son in Los Angeles and began reading scripts.
“I didn’t expect to like anything,” she said. “I was just reading things because people sent them to me and it’s rude not to read them.”
Then she read the script for “V,” a remake of the 1983 sci-fi miniseries about an alien invasion. The series premieres on ABC in November.
“ ‘V’ is kind of a gift,” the 39-year-old said. “It was a surprise to me to fall in love with another character. I read it and it captivated me. And more importantly, I thought it was an excellent jumping-off place and something I had never done before - playing a straightforward hero.”
Mitchell plays FBI counterterrorist agent Erica Evans, a mother of a teenage son. In the pilot, she discovers that the alien visitors might not be as benevolent as they seem.
“What I’m enjoying about Erica, which is one of the same things I love about Juliet, is that she, every day of her life, believes if she is not fully on, not fully functioning, she is going to let people down and the world will come to an end. She actively puts herself in the line of fire. I think it takes a special kind of person to do that, and that, combined with Erica being a mother, is very interesting to me.”
Source: Boston Herald
Posted by DarkUFO
Dollhouse - Summer Glau - Offical Fox Press Release
SUMMER GLAU MOVES INTO JOSS WHEDON’S “DOLLHOUSE”
ALEXIS DENISOF, JAMIE BAMBER, MICHAEL HOGAN AND KEITH CARRADINE MAKE GUEST APPEARANCES DURING SEASON TWO
Series Returns Friday, September 25, on FOX
Summer Glau (“Firefly,” “Terminator: The Sarah Connor Chronicles”) reunites with Joss Whedon when the actress joins the cast of DOLLHOUSE this fall in a recurring role as BENNETT, a Dollhouse employee who shares a past with ECHO (Eliza Dushku). The second season of DOLLHOUSE premieres Friday, Sept. 25 (9:00-10:00 PM ET/PT) on FOX.
Additional guest stars appearing throughout the upcoming second season include Alexis Denisof (“Angel”), Jamie Bamber (“Battlestar Galactica”), Michael Hogan (“Battlestar Galactica”) and Keith Carradine (“Dexter”). DANIEL PERRIN (Denisof) is a U.S. senator leading a witch hunt to track down the underground organization. Mysterious, charismatic businessman MARTIN KLAR (Bamber) is Echo’s new husband. BRADLEY KARRENS (Hogan) comes to the Dollhouse hoping to stop a psychotic family member’s killing spree, while MATTHEW HARDING (Carradine), a nemesis of Dollhouse leader ADELLE DEWITT (Olivia Williams), stirs up trouble. Additionally, DR. CLAIRE SAUNDERS/WHISKEY (Amy Acker) and MADELINE/NOVEMBER (Miracle Laurie) return this season in multiple-episode arcs.
DOLLHOUSE is produced by 20th Century Fox Television. The series was created by Joss Whedon, who also serves as executive producer, writer and director. Tim Minear and David Solomon are executive producers, while Tara Butters and Michele Fazekas are co-executive producers. Additionally, series star Eliza Dushku serves as a producer.
Source: Fox
Posted by DarkUFO
ALEXIS DENISOF, JAMIE BAMBER, MICHAEL HOGAN AND KEITH CARRADINE MAKE GUEST APPEARANCES DURING SEASON TWO
Series Returns Friday, September 25, on FOX
Summer Glau (“Firefly,” “Terminator: The Sarah Connor Chronicles”) reunites with Joss Whedon when the actress joins the cast of DOLLHOUSE this fall in a recurring role as BENNETT, a Dollhouse employee who shares a past with ECHO (Eliza Dushku). The second season of DOLLHOUSE premieres Friday, Sept. 25 (9:00-10:00 PM ET/PT) on FOX.
Additional guest stars appearing throughout the upcoming second season include Alexis Denisof (“Angel”), Jamie Bamber (“Battlestar Galactica”), Michael Hogan (“Battlestar Galactica”) and Keith Carradine (“Dexter”). DANIEL PERRIN (Denisof) is a U.S. senator leading a witch hunt to track down the underground organization. Mysterious, charismatic businessman MARTIN KLAR (Bamber) is Echo’s new husband. BRADLEY KARRENS (Hogan) comes to the Dollhouse hoping to stop a psychotic family member’s killing spree, while MATTHEW HARDING (Carradine), a nemesis of Dollhouse leader ADELLE DEWITT (Olivia Williams), stirs up trouble. Additionally, DR. CLAIRE SAUNDERS/WHISKEY (Amy Acker) and MADELINE/NOVEMBER (Miracle Laurie) return this season in multiple-episode arcs.
DOLLHOUSE is produced by 20th Century Fox Television. The series was created by Joss Whedon, who also serves as executive producer, writer and director. Tim Minear and David Solomon are executive producers, while Tara Butters and Michele Fazekas are co-executive producers. Additionally, series star Eliza Dushku serves as a producer.
Source: Fox
Posted by DarkUFO
Flash Forward - First 8 Episode Titles
Here are the first 8 Episode titles for the new ABC Show FlashForward, exclusively from SpoilerTV.
Episode 1.01 - NO MORE GOOD DAYS
Episode 1.02 - WHITE TO PLAY
Episode 1.03 - 137 SEKUNDEN
Episode 1.04 - BLACK SWAN
Episode 1.05 - GIVE ME SOME TRUTH
Episode 1.06 - SCARY MONSTERS AND SUPER CREEPS
Episode 1.07 - THE GIFT
Episode 1.08 - RULES OF THE GAME
Source: SpoilerTV
Episode 1.01 - NO MORE GOOD DAYS
Episode 1.02 - WHITE TO PLAY
Episode 1.03 - 137 SEKUNDEN
Episode 1.04 - BLACK SWAN
Episode 1.05 - GIVE ME SOME TRUTH
Episode 1.06 - SCARY MONSTERS AND SUPER CREEPS
Episode 1.07 - THE GIFT
Episode 1.08 - RULES OF THE GAME
Source: SpoilerTV
Flash Forward - Episode 1.08 - Casting Call
Please note: As a courtesy, please do not reproduce this post to newsgroups, forums or other online places. Summary and Link backs to SpoilerTV.
[INGRID] Age 45, Latina. Single, a bit lonely. Not terribly assertive, but after being placed in a high-stress situation, demonstrates a quiet resolve...GUEST STAR
[JOHN] 30s or 40s, Caucasian. Ex-military, leader, gets things done. Equally intelligent and tough, he could eat nails for breakfast while describing their alloy content and its significance to their usage...MAY RECUR
[VINCE] 20s, Caucasian. A stereotypical Brooklyn-Italian meathead, he could’ve walked right off the set of The Sopranos. He wears his football team’s jersey with pride – all the time – and speaks without thinking just as often sptv050769...
[DON] 30s to 50s, open to all ethnicities. A long-haul trucker, he takes a well-deserved break drinking and making small talk with some strangers...
[CHET] Late 40s to 50s, Caucasian. A Stetson-wearing cowboy. He’s made his money off oil and now enjoys playing the part. Blows off some steam drinking with strangers...
[COLETTE] Early 40s. Caucasian, Southern accent, a therapist who sleeps with her male patient and is faced with the consequences - greater than she ever imagined. A very complex and difficult personality...3 large scenes
[TRANG] 30s to 50s, Male, Vietnamese. Thin, high-strung, risk-taker. Forced to socialize with a group of strangers despite his desire to solely focus on the task at hand...
[RICK] Late 30s, open to all ethnicities. Police detective – a typical LAPD lifer. He’s all about the job, though not in a macho/steroidal way. Focused on investigating a case and getting it closed out...
[KHAMIR] 30ish, Male, Middle Eastern, Attractive. Intelligent, professional, Westernized in grooming and clothing. Well-spoken, he is placed in a potentially dangerous situation and does not lose his cool...MAY RECUR
[CARLOS] 20s to 40s, Latino. Solidly built/beefy, with the ability to physically intimidate should the situation so require. Follows direction without attitude.sptv050769..MUST SPEAK SPANISH
[BILLY] 18, open to all ethnicities. typical teenager in most ways, but good natured and thoughtful. Cashier at a local business, he banters with a co-worker about the events of the day...
[EILEEN] 50s, NYC socialite, must pick herself and her life back up after her politico husband is publicly disgraced and fired...ONE SCENE
[HARRIED NURSE] Female, open age and ethnicity. Nurse in a hospital. Must multi-task and keep focus amidst a great deal of activity. Interacts with coworkers regarding work...
[SYLVIE] 9 or 10 years old, open to all ethnicities, a precocious child who interacts better with adults than other children. Has mannerisms like an older person which makes him/her an outcast at school...
[NEIL] Male, 30s or 40s, Caucasian. Nerdy engineer. Gets in over his head in a high pressure situation...
Source: SpoilerTV
[INGRID] Age 45, Latina. Single, a bit lonely. Not terribly assertive, but after being placed in a high-stress situation, demonstrates a quiet resolve...GUEST STAR
[JOHN] 30s or 40s, Caucasian. Ex-military, leader, gets things done. Equally intelligent and tough, he could eat nails for breakfast while describing their alloy content and its significance to their usage...MAY RECUR
[VINCE] 20s, Caucasian. A stereotypical Brooklyn-Italian meathead, he could’ve walked right off the set of The Sopranos. He wears his football team’s jersey with pride – all the time – and speaks without thinking just as often sptv050769...
[DON] 30s to 50s, open to all ethnicities. A long-haul trucker, he takes a well-deserved break drinking and making small talk with some strangers...
[CHET] Late 40s to 50s, Caucasian. A Stetson-wearing cowboy. He’s made his money off oil and now enjoys playing the part. Blows off some steam drinking with strangers...
[COLETTE] Early 40s. Caucasian, Southern accent, a therapist who sleeps with her male patient and is faced with the consequences - greater than she ever imagined. A very complex and difficult personality...3 large scenes
[TRANG] 30s to 50s, Male, Vietnamese. Thin, high-strung, risk-taker. Forced to socialize with a group of strangers despite his desire to solely focus on the task at hand...
[RICK] Late 30s, open to all ethnicities. Police detective – a typical LAPD lifer. He’s all about the job, though not in a macho/steroidal way. Focused on investigating a case and getting it closed out...
[KHAMIR] 30ish, Male, Middle Eastern, Attractive. Intelligent, professional, Westernized in grooming and clothing. Well-spoken, he is placed in a potentially dangerous situation and does not lose his cool...MAY RECUR
[CARLOS] 20s to 40s, Latino. Solidly built/beefy, with the ability to physically intimidate should the situation so require. Follows direction without attitude.sptv050769..MUST SPEAK SPANISH
[BILLY] 18, open to all ethnicities. typical teenager in most ways, but good natured and thoughtful. Cashier at a local business, he banters with a co-worker about the events of the day...
[EILEEN] 50s, NYC socialite, must pick herself and her life back up after her politico husband is publicly disgraced and fired...ONE SCENE
[HARRIED NURSE] Female, open age and ethnicity. Nurse in a hospital. Must multi-task and keep focus amidst a great deal of activity. Interacts with coworkers regarding work...
[SYLVIE] 9 or 10 years old, open to all ethnicities, a precocious child who interacts better with adults than other children. Has mannerisms like an older person which makes him/her an outcast at school...
[NEIL] Male, 30s or 40s, Caucasian. Nerdy engineer. Gets in over his head in a high pressure situation...
Source: SpoilerTV
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